By Greg Hoffman

Using Some Other Synthesizers Techniques You can actually modulate the wave form of an oscillator by setting the LFO which is utilizing the basic concepts of wave tables. If you are to change your oscillators over to sin waves, and then the following thing you could do, is to prepared the octaves so they were apart from each other. This's an essential element for organ sound emulation but it truly is a primary form of additive synthesis.

What're the options for SFX Patches? There are many choices available to create sound effects. Simply like the proper use of envelopes and effects guides you to what you're looking for. And then you might want to consider FM wave forms or some other noise sources. One of the most prominent features of the effect patches is the use of non tonal oscillator waveforms. Dont forget that you SFX patches offer various alternatives .

How You could Use Multiple Filters If you want something usable to warm up the digital sounds then consider the fact that outer sound filter units can produce several very amusing effects on the end of a signal chain. Most of the up-to-date synthesizers may even have a multi mode, but at the very least will have 2 individual filters as part of their features. You can make use of these in two ways. You can use them by putting them in sequences or they can be used in parallel. Say you play around with band pass and notch filter, which truly are peculiar filter modes, you will get a few special effects. You can also experiment with sending some other oscillators to various filters.

For Big Sound Complexity try lateral thinking If you want to add several extra pizzazz to shorter sounds as well as create a couple of long slow ones, then try layering them. Huge complex sounds take a couple of lateral thinking. If you layer multiple patches as the attack grows and then disappears after each other, then you'll get modulating sweeping pad sounds.

Specialized LFOs Effects Let's assume you don't have the right oscillator waveforms to create that FM style type sound that you require. There's some thing you could do to compensate for not having it. Setting the rate as fast as you possibly can, and then set the LFO to modulate the stereo-panning. This means you'll have to utilise a square wave. Other function you have available to you is the sample and hold function. Various people tend to overlook this, so make sure you make use of it.

In addition to all of the above take sometime to go through your onboard presets. Theyre sure to inspire you into the exact direction. These were prepared by experts in the field of synth, so they know what they are doing. When you come across one that really appeals to you check it thoroughly. Check how the sound was made and capture the techniques on your own creations (patches)

About the Author: